Skip to main content

Working Process 2

Lynn Bailey Printmaking, Working Process

Making the Devon Hedge Bank prints.

My studies of Devon hedgerows started in 2011. The big launch for this work was an exhibition I curated at Red Earth gallery in Bickleigh to coincide with Devon Hedge Week.

On my old website I had a “Work in Progress” gallery. So that this content can still be available I am reposting some of sequenses of photographs that showed my working process here – as rather “old News”.

Here I am offering glimpses of work in progress for 30,000 miles – Art exhibition.

Starting the collagraph plate, Devon Hedge Bank, Lynn Bailey
Starting to construct the collagraph background plate
Building textures on collagraph plate Devon Hedge Bank by Lynn Bailey
Building textures on collagraph plate Devon Hedge Bank

 

 

 

 

 

 

 

 

 

Inking collagraph plate for the first time. Devon Hedge Bank. Lynn Bailey
Inking collagraph plate for the first time. Devon Hedge Bank.

 

Pulling first proof. Collagrph. Devon Hedge Bank. Lynn Bailey
Pulling first proof. Collagrph. Devon Hedge Bank.

 

Inking plants for mono print.Devon Hedge Bank. Lynn Bailey
Inking plants for mono print.Devon Hedge Bank.

 

Rolling transparent relief ink on inked up collagraaph
Rolling transparent relief ink on inked up collagraaph
Ready to print collagraph mono print Devon Hedge Bank. Lynn Bailey
Inly plate and inky plants assembled ready to print collagraph mono print Devon Hedge Bank.

 

 

 

 

 

 

 

 

Printing collagraph mono print Devon Hedge Bank. Lynn Bailey
Printing collagraph mono print Devon Hedge Bank.

 

Freshly printed Hedgebank. Collagraph mono print. Lynn Bailey
Freshly printed Hedgebank

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

For more Hedgerow artwork see THIS portfolio

mm

Lynn Bailey

Through my artwork I look to say something about the environment - explore how we interact, use, abuse and collaborate with the natural world around us. This has taken me to increasingly focus on the small ubiquitous and often reviled weeds and bugs that form the foundation and engine-room of ecosystems. I use a wide range of printmaking techniques – both traditional and innovative, often creating complex one off prints. ****** Co-founder and director of Double Elephant Print Workshop since 1997. Originally trained in Conservation of Prints and Drawings 1980 -1982. Studied Fine art at University of Plymouth 1993 -1996.

Cookies

This site uses cookies: Find out more.