Every now and then at Double Elephant I get the chance to edition other peoples intaglio prints for them. This I find that I actually like the technical challenge of printing consistently in a style of how the artist wants it to be.
One of the prints I have enjoyed working on most recently has been an etching I’ve done of a hedgehog. We all love hedgehogs – they are such engaging characters. The etching went more or less as planned (which isn’t always the case with etching), plus I allowed plenty of scope for happy accidents!
1980 – First post school printmaking. During the Conservation of Prints & Drawings course I had to learn about, make and print the full range of print processes available to the ‘Old Masters’. Woodcut, Wood engraving, Etching (hard ground, soft ground and aquatint), Engraving, Lithography (plate and stone), and screenprint.