Third of the series of news postings about new courses at Double Elephant Print Workshop is what I’m calling “Alternatives to Etching”. Not to be confused with Acrylic Resist Etching – which is an alternative to traditional etching, what I’m meaning here are quicker, easier ways of achieving the feel of an etching using materials that would appeal to the more frugal printmaker who is also far from as time rich as you need to really learn etching.
Although we are now entering our 21st anniversary year at Double Elephant, we always look to keeping fresh and moving forward. At the moment we are having skills exchanges with each other and upgrading our skills.
Every now and then people from various parts of the world get in touch to ask q few questions about my artwork or with technical questions. I do my best to answer – even though writing really isn’t my thing. Oddly – this month has been little crazy with questions every couple of days. So when a student from Barbados asked me nicely is I could answer some questions for a school based assignment. I said that seeing as she asked so nicely, I would. I was a little taken aback to get 14 quite chalenging questions – but in answering them the exercise was helpful in making me think.
Making the Devon Hedge Bank prints.
My studies of Devon hedgerows started in 2011. The big launch for this work was an exhibition I curated at Red Earth gallery in Bickleigh to coincide with Devon Hedge Week.
On my old website I had a “Work in Progress” gallery. So that this content can still be available I am reposting some of sequenses of photographs that showed my working process here – as rather “old News”.
Here I am offering glimpses of work in progress for 30,000 miles – Art exhibition.
My old website had a page in the “galleries” section where I would show case some of my work in progress. Rather than having this under “portfolios” in this website, my intention it to have irregular looks at my work in progress in order to give glimpses of my working process.
So that my previous posts about my work in process are not lost and will remain searchable on this website, I’m posting them here as rather ‘old news’.
Here’s the first one I posted a while ago –
The Devon Guild of Craftsmen’s Summer Show for 2015 had the theme “Celebrations” to mark 60 years of the organisation – a landmark birthday. Members were invited to use the title Celebrate to articulate the notions of festivity and reflection that such milestones bring. I wanted to produce some work specifically for this exhibition while creating something in keeping with my own body of work about Devon ecosystems, hedgerows etc. Read More
A major event in 2012 was the creation of some demonstration videos with Double Elephant Print Workshop.
You can see them all HERE!
I did the demonstration for the Collagraph video. It took a WHOLE DAY! In true Blue Peter style I had prepared my project at various stages in its development so that I didn’t have to waste time waiting for paint to dry.
You can see a proof being pulled valium from the finished plate in the video. And here is one of the finished prints I made shortly after – when I had time to fuss about colours and add mono print plant material too.
To go with the Collagraph video is another short one of “Top Tops”.
Do take time to look at my colleagues videos for drypoint, mono print and relief print too.
Having come across Animoto I thought I’d have a go at making a little 30 second video.
After all it looks ridiculously easy!! And it really was as easy as it looked. You just choose a video style from a selection available, choose some music from their library of licensed music, upload some photographs (and video clips if you happen to have some) then cross your fingers while the programme does the work for you!! Read More