Every now and then at Double Elephant I get the chance to edition other peoples intaglio prints for them. This I find that I actually like the technical challenge of printing consistently in a style of how the artist wants it to be.
Back in May I had the privilege of taking part in another of the guided walk organised by the Devon Guild of Craftsmen with the Devon Wildlife Trust. Last year this sparked off my Magnificent Mires work. This year the focus is on the Greater Horseshoe Bat Project.
Greater horseshoe are the UK’s biggest bat with a wingspan of almost 40cm. They were once common across southern England but changes in land-use such as urban development and a move away from cattle grazed pastures and hay meadows has led to their disappearance from much of the countryside.
Every now and then at Double Elephant, I have an opportunity to work with other artists. Usually it’s a straightforward request to edition some artwork that they have already created. But sometimes there can be a more collaborative element. On this occasion I was approached by the Thelma Hulbert Gallery to work with Frances Hatch – winner of the THG OPEN 2016. The plan was to work with Frances to create a new artwork relating to her exhibition starting in September which we would edition. The new print was then published during the exhibition.
In June 2017 I was lucky to be one of a small group of people taken on a guided walk in a restricted zone on Dartmoor to get up close to the blanket bogs and have the ecology of the mires explained by a Dartmoor National Park Ranger and a bog expert from the Devon Wildlife Trust (DWT). The walk was organised by The Devon Guild of Craftsmen, who subsequently arranged a “Magnificent Mires/Beautiful Blanket Bogs” themed display at the Waterside Mill at Bovey Tracey.
Every now and then people from various parts of the world get in touch to ask q few questions about my artwork or with technical questions. I do my best to answer – even though writing really isn’t my thing. Oddly – this month has been little crazy with questions every couple of days. So when a student from Barbados asked me nicely is I could answer some questions for a school based assignment. I said that seeing as she asked so nicely, I would. I was a little taken aback to get 14 quite chalenging questions – but in answering them the exercise was helpful in making me think.
Making the Devon Hedge Bank prints.
My studies of Devon hedgerows started in 2011. The big launch for this work was an exhibition I curated at Red Earth gallery in Bickleigh to coincide with Devon Hedge Week.
On my old website I had a “Work in Progress” gallery. So that this content can still be available I am reposting some of sequenses of photographs that showed my working process here – as rather “old News”.
Here I am offering glimpses of work in progress for 30,000 miles – Art exhibition.
My old website had a page in the “galleries” section where I would show case some of my work in progress. Rather than having this under “portfolios” in this website, my intention it to have irregular looks at my work in progress in order to give glimpses of my working process.
So that my previous posts about my work in process are not lost and will remain searchable on this website, I’m posting them here as rather ‘old news’.
Here’s the first one I posted a while ago –
The Devon Guild of Craftsmen’s Summer Show for 2015 had the theme “Celebrations” to mark 60 years of the organisation – a landmark birthday. Members were invited to use the title Celebrate to articulate the notions of festivity and reflection that such milestones bring. I wanted to produce some work specifically for this exhibition while creating something in keeping with my own body of work about Devon ecosystems, hedgerows etc. Read More
A major event in 2012 was the creation of some demonstration videos with Double Elephant Print Workshop.
You can see them all HERE!
I did the demonstration for the Collagraph video. It took a WHOLE DAY! In true Blue Peter style I had prepared my project at various stages in its development so that I didn’t have to waste time waiting for paint to dry.
You can see a proof being pulled valium from the finished plate in the video. And here is one of the finished prints I made shortly after – when I had time to fuss about colours and add mono print plant material too.
To go with the Collagraph video is another short one of “Top Tops”.
Do take time to look at my colleagues videos for drypoint, mono print and relief print too.